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现存17、18世纪——小提琴制造的黄金年代的意大利名琴，全世界只有几十把。基于他们杰出的音质和无与伦比的表现力，尤其是18世纪意大利提琴大师制作的乐器一直被音乐家和收藏家所推崇。从史到今的提琴音乐大师，无论是尼古拉·帕格尼尼，还是今天的伊扎克·帕尔曼，历史上最伟大的弦乐大师都使用过一位或者两位制作大师制作的乐器。

——卢布柯维茨(Lobkowitz 1617)

　　这把华美的小提琴是安东尼奥和赫朗尼姆斯·阿玛蒂在1617年制作的。历史上第一把小提琴是16世纪中叶由安德瑞亚·阿玛蒂制作的，他的两个儿子安东尼奥和赫朗尼姆斯继承父业并一起合作直到1630年。到此时阿玛蒂小提琴在欧洲得到广泛的推崇。这只名为“卢布柯维茨”1617年阿玛蒂小提琴是只极品的宽体造型，它经历了近四个世纪的岁月沧桑而得到极好的保存，它的背板并留有著名音乐爱好者普鲁士“卢布柯维茨”家族的族印。贝多芬的一组弦乐四重奏就是献给卢布柯维茨家族的。“卢布柯维茨”阿玛梯是斯特拉迪瓦里名琴协会的收藏品之一，它将为才华横溢的艺术家所使用。

——莱斯(Ries 1693年)

　　安东尼奥·斯特拉迪瓦里——这位伟大的制琴大师显然是受到最早的制琴大师之一意大利布雷西亚的G·P·马吉尼的影响。这把名为“莱斯”的小提琴琴身稍长，上部较窄，因此演奏者在使用的时候会非常舒服。它是19世纪晚期柏林著名的艺术家弗朗兹·莱斯最喜爱的乐器，因此而得名。“莱斯”保存状态极佳，能满足任何挑剔的音乐家的要求。

——瓜达尼尼(Guadgnini 1778年)

　　乔万尼·巴蒂斯达·瓜达尼尼是十八世纪中期意大利最著名的提琴制作家之一，他的提琴制作有多种风格但却总是精确无比。他的晚期在都灵，制作风格倾向于斯特拉迪瓦里的风格，特别是在音孔(f孔)的形状上，“瓜达尼尼”这把1778年在都灵制作的小提琴就具有此特性。这把精美的小提琴面板平扁，具有极强的大音量，并贯穿于高低音，所有音域是当今小提琴家在大音乐厅演奏的极佳选择，也是乐队首席的最爱。

——红玉

　　斯特拉迪瓦里名琴“红玉”之所以得其名是因为它深红色的清漆光泽，特别是它的背板。闻名遐尔的西班牙小提琴萨拉萨蒂对它无限至爱，以至于记录下他对“红玉”爱慕之情。自“红玉”成为名琴协会的藏品以来，它为无数艺术家留下了迷人演奏风采，其中包括约瑟夫·斯万森，莉拉·约瑟夫维茨，Kyoko Take zawa. 现在著名的俄罗斯小提琴家瓦丁·雷朋使“红玉”在广大乐迷中留下了无数的光彩四射的遐想和享受。

- 作者： 踏月而来随缘而至 访问统计：　2005年08月15日, 星期一 17:54 加入博采

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- 评论人：violin   2005-08-16 22:11:21  　

To determine whether yours is the genuine article you need to take it in person to an expert near you. Such experts may be found among members of the American Federation of Violin and Bow Makers listed in the pages of this web site. These experts will charge for their time and opinion.

Before you set off, however, you may want to look in the violin case for documents that these days almost always accompany the real item. These documents consist of "Provenance" (pronounced pro-ve-nunce) which include letters from previous owners, dealers and auction houses, certificates of authenticity, often with photographs, letters of evaluation, etc. Few, if any, Strads today are not well documented.

The odds that you have found a genuine Stradivari will be very slim indeed.

Nonetheless your find might be compared to an oyster; - "if you don\'t find a pearl inside, you can still have a good meal". In other words, make beautiful music with it.

- 评论人：violin   2005-08-16 22:10:34  　

These manufacturers, housed in such towns as "Bubenreuth", "Mittenwald", " Markneukirchen" to mention a few, mass produced these violins, in part by hand or completely by machine, and, until 1957, labeled them exactly as the master did. After that date, the words "Copy of" were often included on the labels.

They were also made world-wide in such places as Bulgaria, China, Czechoslovakia, France, Japan, England and elsewhere.

Millions of these instruments exist today.

Antonio, along with his sons are believed to have made more than 1,100 instruments during his lifetime of which roughly 512 violins are thought to still remain, depending on who you\'re asking.

It is also known that many were destroyed either by fire, accident, lost at sea or floods, during the fire-bombing of Dresden, etc., which leaves virtually none unaccounted for.

- 评论人：violin   2005-08-16 22:09:36  　

So, you found a Stradivarius violin!

As web master of the American Federation web site I receive numerous e-mail messages every month from people who have inherited or purchased a "Stradivarius" violin.

I will not tell you that it is not the genuine article. That would be unethical and foolish of me, but I will share some information with you to help you judge your course of action.

Since well before the turn of the twentieth century, manufacturers of violins, often nestled in the valleys of southern as well as western and eastern Germany, were producing tens of thousands of violins annually, labeled "Antonius Stradiuarius, Cremonenfis Faciebat Anno 17 " and had a circular embellishment on these labels which included a cross above the initials "A" and "S". More often than not, the last two digits of the date were penciled or inked in by hand. Sometimes it was left blank.
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